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Hand decorated transfer printed on porcelain.

Hand decorated transfer printed on porcelain.

Lithographic print

Gilt and hand coloured transfer printed on metal

Nickel finish, bevelled edge mirror

Note: Talented across a multitude of disciplines (city planning, engineering, theoretical discourse), Giordani was also an active contributor to publications addressing architecture and urban strategy. One magazine, 'Architettura' in their July - August 1955 issue, illustrated furniture Giordani only designed in the first half of the 1950s. These works, during this brief period, are animated by dynamic angles and balanced asymmetry.

Cibachrome print Dye destruction print. Photograph using recycled household products. (ESG before its time) Limited edition of 3 + AP Note: An example of this photograph is in the permanent collection of the Victoria & Albert Museum: "Whether Head is working with photography, installation or painting, his art is underpinned by concerns about human relationships with the world. During the 1980s he began to explore the tension between the organic and artificial in consumer culture. His apocalyptic 'toxic' landscapes serve as metaphors for our polluted environment. Deliberately exploiting the saturated colours of advertising, these images both appeal and repel." Tim Head was one of the artists representing GB at the Venice Biennale in 1980.

Concrete, metal, and stone and brass inlay

For Georg Jensen Sterling silver, with blue enamel

for Dino Gavina (Edizione Ricerche Bologna) Limited edition no. 37 / 150

From the 'Infinity' series Limited edition inkjet on Hahnemühle paper 308 gsm In white wood frame To order

Bronze with glass top

For Quattrifolio Design White glass shade on silver metal drum base

Screenprint from the original 1977 painting

For Airborne, France From the iconic seating designs by Olivier Mourgue featured in Stanley Kubrick's '2001: A Space Odyssey' in 1968. Steel frame padded in foam and re-covered in turquoise Kvadrat fabric, on steel bar 'feet'. Chair: H 66 / W 68 / D 68 cm Footstool: H 38 / W 68 / D 66 cm (seat H 34 cm) Mourgue, who trained in Paris and Scandinavia, was captivated by abstract sculptural forms made possible by advances in plastics manipulation. Combined with a pop-art aesthetic (also espoused by his contemporaries Verner Panton and Pierre Paulin), Mourgue's colourful furniture padded in foam over a steel frame, are egonomic embodiments of 1960s design.

For Mazzega, Murano Free-form clear and white glass

For Gone Rural, part of a project 'The Song of the Weaver' woven grass, hand-coloured

Model no. 11480 For Seguso Vetri d'Arte Sommerso glass

For Seguso Vetri d'Arte sommerso glass with bubbles inclusion